Connecting to prior knowledge

Share an interactive Australian Indigenous country map with the students such as the one found on the AIATSIS website. Ask the students to locate the Indigenous country of the land on which the school is located. If the school is located at the intersection of multiple countries, this discussion will need to extend to all the recognised custodians.

As the content of this unit focuses on Aboriginal knowledges and understandings, share an Acknowledgement of Country. Ask the students to share what they know about the Indigenous history of the land on which the school is located. Using a collaborative digital display, ask students to post their contributions. As this is Year 4, help them to make connections between the contributions, creating groups and subgroups of thought. Some collaborative digital displays suitable for students include mindomoSimpleMind, Mindjet Maps and Mindly.

Draw a table withe five columns, using the headings below, to record the flora and fauna in the student’s local community. This activity can be undertaken as a whole class effort, with small groups working on sections of the bigger table. Students can contribute their own knowledge and photographs, and the internet can be used for more advanced searches. Help the students to navigate the web if searching for images by using the ‘image’ link on the google search function. The book Fauna: Australia’s Most Curious Creatures by Tania McCartney would also be a good resource to support this experience. 

  • Column 1: common use name
  • Column 2: botanical name of these flora and fauna
  • Column 3: visual, either photograph captured by a child or through an internet search
  • Column 4: identify as Indigenous or introduced species
  • Column 5: seasonal cycle notes (e.g. breeding, migration, flowering, dormant, etc.)
    (ACELA1496)   (EN2-10C)   (ACELA1793)   (EN2-8B)   (ACELY1697)   (EN2-10C)

 

Exploring the text in context of our community, school and ‘me’

Show the students the cover of Cooee Mittigar. Ask them to note any prominent features of the cover and open a discussion about what might be inside the pages of this book.

Guide students to notice and provide some initial thoughts about the following:

  • The black cockatoos. Refer to the notes on Black Cockatoo by Carl Merrison for some background on this particular bird.
  • The word ‘cooee’. Cooee – a calling sound of the Gaawii whip bird, and copied by humans to identify one’s location or attract attention. It is used to say ‘hello’. Practise calling cooee to one another, best in a location for an echo. Note it is an Aboriginal word that is used in Australian English.
  • Invite suggestions about the words ‘mittigar’ and ‘darug’ as these may not be familiar. Some initial searching will reveal mittigar is the name of a reserve west of Sydney and a word from an Indigenous language. A quick whole class search shows Darug are Aboriginal people from Western Sydney. Read the notes about Darug country in the back of the book.

Now draw attention to the visual elements on the front and back covers. Guide students to notice the decorative dot-like detail on the wings of the black cockatoo and the veins of the leaves. What might this mean to you as a reader?

Point out the raised texture of the title. Again what does that make you think?

Read the blurb on the back of the book. Students will now know that Cooee Mittagar is an invitation meaning ‘come here my friend’. Discuss the whole blurb on the back and the impact of the warm invitation to read the book.

Discuss who is the audience for this text and what is the connection to them, their school and their community. The intended audience is students.

Ask the students to identify the author and illustrator. Confirm the author and illustrator and read the information provided on both at the back of the book.
(ACELA1487)   (EN2-1A)   (ACELA1496)   (EN2-10C)

 

Rich assessment task

This rich assessment task is formative assessment by the teacher, noting the student’s engagement, contributions and preparedness to explore how language works in its multimodal forms. Share the book, engaging in teacher-led class discussion connecting back to the previous discussion. As you proceed note the involvement of individual students.

Double-page spread #1 – It is a Welcome to Country. Inviting all to join our Darug Country (Mudjin). The illustration depicts a person superimposed on Darug country and the river. The image symbolises the Darug connection to the land. It depicts the Darug as being a part of the land and the land being a part of the Darug. Discuss the symbolism, including the circles, lines and ‘U’ shape. In some Aboriginal art work, the u-shape symbolises a person, the concentric circles symbolise a waterhole or campsite, the oblong symbolises a coolamon (carrying vessel), the small straight stroke symbolises a shield or an adult. Aboriginal art often records significant information such as to indicate a sacred site, the location of a waterhole or campsite, where to find animals (for food) or the location of Dreaming stories.

Double-page spread #2 – Begins by inviting the reader to follow the Black Swan Mulgo along one Darug songline. As Mulgo walks, she talks and sings while using her clap sticks.

Double-page spread #3 – Starting with the creation, Darug Dreaming was (past), has (present) and will be (future) sung into the Songlines of Naru (Country) by its creation people and storytellers (Yellamundie) and animals and lands. It also demonstrates the connection between land, language and Darug identity. Makes references to the past (the long, long ago), the present (the now) and the future (the forever). The background visual is of the Emu Dreaming.

Double-page spread #4 – The songline begins when the days are getting longer and warmer. The wombats, feather tail gliders, and flowering plants are coming to life. The children might know the names of the red flowers (bottle brush & waratah).

Double-page spread #5 – When the eastern Rosellas nest in the log hollows and the long-necked turtles slowly come out into the sun, it’s getting warmer.

Double-page spread #6 – Then the hot, rain and lightning comes. It is warming still. What season could they be referring to? What cues tell you which season it? Late spring or summer. The illustration depicts bats coming out at dusk to roost.

Double-page spread #7 – Watch out for the reptiles! Why? Because they move into the open, under the sun and some of these reptiles are venomous (snakes). How might Aboriginal people know that a dangerous animal is nearby or an animal that is a food source is close by? They track the foot prints in the sand. Why do snakes and goannas move into the sun? They are ectothermic and need sunlight and warmth to heat up.

Double-page spread #8 – In the hot (yuruka) and dry (burara) the Elders say not to hunt the kangaroo (buru). Why do you think that is? The kangaroo are not breeding, they are conserving energy, hiding in the shade from the summer sun. The grasses are lean and dry, so there is not much feed.

Double-page spread #9 – When the yellowtail black cockatoo and the golden orb spider are out, and it starts getting foggy, we are heading to a new season. What season is that? It’s Autumn.

Double-page spread #10 – Emu Dreaming and time for the emu to nest. Note the illustration depicting the dark space between the stars. There is also an image of an emu carved into the rock showing the emu eggs in the nest. When we see the emu constellation (more correctly the dark space within the Milky Way) in the night sky, we know it’s time for the emu to lay her eggs in a nest.

Double-page spread #11 – Talks of the Hawkesbury River where Biaimi’s Son spreads yam seeds. When they are flowering, the yams are ready to harvest. What are yams? A starchy vegetable, like a potato. Where are they? They grow under the soil. What are they for? They are an edible and popular food for the Darug peoples and many other groups. The illustration on these pages, depicts a path/track from the bottom of the left-hand side to the top of the right-hand side, possibly left by Biaimi’s Son.

Double-page spread #12 – As the wattle blooms, the eels start moving downstream. The illustration depicts the eels migrating with what looks like the outline of a large fish. Ask the students what they think this is? It looks like a spirit creature of some sort. The eels will travel 4000km to the Coral Sea near Vanuatu to breed and then travel back again.

Double-page spread #13 – When the light dew falls and the winds blow from the east, it’s time for the fire stick farming (also called cultural burning). Fire stick farming helps to ‘clean up country’, rejuvenate the undergrowth and spread the seeds and makes hunting easier. What time of the year/season is it? Darug people are not respected for their knowledge on caring for country today. Perhaps this knowledge can help with our current situation of severe drought and bushfires.

Double-page spread #14 – Dingu (dingo) babies start to arrive with their whole family. The illustration shows other animals too. What are kangaroos and emus doing at this time?

Double-page spread #15 – Frost is coming so the echidna mum is on the move and father follows. He helps with the nest. Check out the claw marks in the sand. This is a signal that the echidnas are around.

Double-page spread #16 – When the frost comes and the grass trees bloom, it is time to make spears from the grasstrees.

Double-page spread #17 – When the westerlies blow in, the Darug get ready for the flowering plants and collecting eggs. The birds are also attracted to the flowers. The illustration represents the spirit and the songline.

Double-page spread #18 – When the Brolgas dance, it is time for the ceremony and mob to gather and celebrate the time of plenty (see the fish). What season do you think it is? What do the circles represent? They represent meeting places.

Double-page spread #19 – Now it is Mulgo time and the songline begins again. See the visual of the songline. Black swan will rest and nest and prepare for a new family if cygnets.

Double-page spread #20 – Western Sydney/Darug country is our mother, father, sister, brother, our aunties, uncles and kin, our Elders. The illustration depicts several different family groups along the Hawkesbury River. They come together in the large circle/meeting place in the middle. There is a songline woven through the illustration as well that references the past (were strong), present (are strong) and future (remain strong).

Double-page spread #21 – Tread softly on our lands asks people to respect country. References to dreaming in the past (was here), present (is here) and future (will be forever), so asking people to respect country. The knowledge was shared for thousands of years. It was passed orally from one generation to the next. This knowledge is a gift to anyone walking with Darug.
(ACELA1487)   (EN2-1A)   (ACELA1496)   (EN2-10C)