Please Note

This unit of work is based on the Currency edition of the play, published in 2000 and featuring an introduction by Louis Nowra. This edition also includes the screenplay of the 1997 film based on this play. Any page numbers cited in this Unit refer to this edition. This teaching resource relates mostly to the stage play although some reference is also made to the film, the study of which is encouraged.

Nowra’s introduction in this edition is well worth reading and will be focused on later in the unit, but it does contain a major plot revelation (spoiler alert!) and so it is advised to have students read the play or see the film first, before asking them to read Nowra’s account of the development of both scripts.

Be advised that Radiance contains swearing and adult themes, namely the rape of a young girl (recalled by Cressy, not shown). Use the text with discretion and consider whether parental contact is desirable.

 

Introductory activities

  • Ask students to brainstorm possibilities or associations suggested by the title of the play. What does radiance mean? How could this relate to the story or its characters?
  • Ask students to discuss how a play differs as a narrative to a novel or film. How are elements of character or plot revealed in a play? What storytelling tools does a playwright have at his or her disposal?
  • Ask students to research the life and work of Louis Nowra. They should compile a biography for him of about 200 words, synthesised from several websites. Students may also be directed to the Additional Resources page of this Unit, which provides a range of online material relating to Radiance, Nowra and his work.
  • Ask students to establish and maintain a journal in which these and other topics throughout the unit can be explored and responses articulated.

 Tapping into prior knowledge (e.g. content, expectations)

  • Ask students to examine the cover image (PDF, 236KB) of the Currency Press edition of the play and film script. A copy is attached for your reference. This image presents the play’s three characters: Cressy, Nona and Mae (portrayed by Rachel Maza, Deborah Mailman and Trisha Morton-Thomas respectively). Students should brainstorm a list of words that illustrate how character appears in this image: for example Cressy seems aloof, Nona cheeky and Mae serious/grumpy. This task will be revisited after the initial reading of the play.
  • Show students the YouTube clip of Christine Anu singing My Island Home. What is the main idea or theme of this song? Invite students to suggest/anticipate possible links between this song and the themes of Radiance.

 

Personal response on reading the text

As a play script, Radiance is intended to be heard and it is suggested that students read the script aloud in class, in sections as set out below; students might take turns reading each of the three characters. The reading guide below is based on getting through the entire play in approximately four lessons. A viewing of the 1997 film of the play can follow this reading. As there are only three female characters, it is a matter for teacher discretion whether male students are asked to read some of the parts.

Possible questions while reading the text

These questions are offered as a guide only. Students might explore them in their journals or in five minute small group discussions. Responses should be shared with the class.

Students should also construct profiles of each of the characters as they read. These might include responses to the images of actors in the roles throughout the text; highlighting/making note of dialogue that reveal motives or attitudes; and summaries of how each character evolves during the play. A chart (PDF, 63KB)  is provided to help students map out some of these responses as they read the play.

Act One: pp. 5–24 (‘Cressy: I could never, ever be ashamed of you.’)

  • What does Mae’s opening speech reveal about her relationship to her mother?
  • What are the reader’s first impressions of Nona?
  • In the opening pages (pp. 5 – 9 for example) how is the relationship between Mae and Nona established? What do they think of each other?
  • Briefly explain the different attitudes Mae and Nona have to their mother’s death; Nona’s vaguely romantic one (‘I bet you she was looking at the island’, p. 10) and Mae’s far more pragmatic one (‘There’s no art to dying…’, same page).
  • Why does Cressy ‘seems uneasy to be back in the house’ (p. 10)?
  • Why do Nona and Mae react differently to her arrival?
  • Who is the Black Prince? Why is Nona apparently obsessed with him?
  • What kind of experiences has Nona had with men? What evidence does she reveal of this?
  • Explain the significance of the island at the end of this section and the importance to Nona of taking her mother’s ashes there to be scattered.

Act One: pp. 24–42 (End of Act One)

  • Explain Mae’s reasoning for why no-one came to their mother’s funeral (p. 27).
  • Consider Cressy’s monologues on pages 31 – 32 and 33. What do these reveal about her?
  • How does the tone of this scene change immediately after Cressy slaps Nona?
  • Based on the dialogue on p. 34 and earlier in Act One, summarise Mae’s attitude to Harry Wells.
  • Explain the significance, theatrically and narratively, of the mother’s ashes being spilled (p. 37).
  • What revelation occurs at the end of Act One? How does Nona’s mood alter between finding the Radiance tin and hearing Cressy’s story? Why is important to Nona that Cressy is lying?
  • What is the significance of the last line of Act One (Nona, ‘Lost the smell of liquorice.’ p. 42)?

Act Two: pp. 42–55 (to the end of Mae’s monologue: ‘…I love you, Mae.’)

  • Act Two begins on the mudflats between the coast and Nora Island. How does this contrast with the setting of Act One?
  • Explain why Nona is always varying her appearance through wearing wigs and so on. What might this symbolise?
  • Consider Cressy and Mae’s conversation about stars on p. 46. What does this reveal about their relationship?
  • What does Nona’s ambition regarding Shorty (p. 47) reveal about her?
  • We learn more about Mae’s past on p. 48; how does her experience with men contrast with Nona’s? What does the line, ‘I did my time here—with Mum,’ reveal about her attitude towards caring for her mother?
  • Mae says of Nona on page 53, ‘Because I don’t know you, I know you.’ What does this mean in the context of their relationship?
  • Explain the different reaction of the two sisters to Mae’s monologue at the end of this section. 

Act Two: page 55 until the end.

  • Explain Mae’s resolution to burn down the house.
  • The balance shifts again at the end of Act Two Scene One; Nona seems to become the responsible one. How is this reflected in the dialogue she is given?
  • Consider the impact of the three characters singing, ‘I’ll Tell me Ma’ on the mudflats while the house burns down. Why does this song unite them? Is this the first time in the play all three have been happy at the same time? If so why is this significant?
  • Cressy’s speech on pp. 61 – 62 is very confronting and provides the dramatic denouement of the play. Why does Nona react by running off?
  • Explain the significance of ending the play with another refrain of ‘I’ll Tell me Ma’.

Ask students to complete the following tasks in their journals, commenced for the Introductory activities.

 

Personal connections with own experience

Did you enjoy reading this play? Why/Why not?

Identification with characters and situations

Do any of the three characters in this play remind you of anyone you know?

Has anyone in your family ever had to care for an ailing elderly relative?

Reflection on completion of the text

Freewriting (write for three minutes without stopping). What do you think the central message or idea of Radiance might be? Discuss your responses with two to three other students. Share with the class and generate a list/mindmap of responses for the whiteboard or interactive whiteboard.

After completing their reading of the play, students should view the 1997 film of the play, directed by Rachel Perkins and adapted by Louis Nowra (the film script is provided in the Currency Press edition, as mentioned).

 

Outline of key elements of the text

Plot

Radiance is interesting in having very little actual plot; the play focuses instead on the relationship between the three sisters and their shifting attitudes to one another and their collective and individual memories.

However, there are some points of action in the play (although some of them happen ‘offstage’) and it’s useful to explore these in their context. These include:

  • The funeral
  • Spilling Mum’s ashes
  • The boys throwing stones on the roof
  • Nona fetching the Radiance tin and the Black Prince’s hat
  • singing ‘I’ll Tell me Ma’ on the mudflats
  • Cressy’s revelation that she is Nona’s mother
  • Burning down the house

Ask students to choose any three of these and explain their importance to the story of the play in one paragraph. Students might consider how the characters react to this incident, or what it reveals about them. It’s also worth considering whether the chosen action reveals anything about the nature of the relationship between the sisters, the sisters and their mother, their mother and the town, and so on.

Character

Ask students to revisit the previous task based on the cover image of the Currency Press edition of the play and film script. Descriptions of the three women can now be extended and enriched. Develop statements for each character that explain how they are different by the end of the play.

One reading suggests that the three characters are ‘family members who are strangers’ (Introduction to Currency Press edition, p. ix). Why are the characters described this way? What makes them strange to each other? Responses here can be used to inform and develop responses to the Rich Assessment Task (Productive) for this Unit.

Themes

According to Louis Nowra, Radiance charts efforts by the three women to ‘come to terms with each other and with the devastating consequences of family secrets’. (Introduction to Currency Press Edition, p.ix). Several such secrets are revealed during the play, including Cressy’s explosive revelation that she is Nona’s mother.

Ask students to use this information to shape and refine a paragraph which begins: ‘Radiance is a play about…because…’ This paragraph can be developed or refined to form the introduction of the Receptive Rich Assessment Task for this Unit.

Other themes at work in the play include (but are not limited to) loss, grief, accepting responsibility and coming of age, which Nona arguably shows some evidence of during the play.

Ask students to find a line of dialogue from any of the three characters that reflect, refer to or illustrate these ideas.

For example:

  • NONA: You’re always hiding things from me… (p. 9)
  • NONA: I love getting wet. Makes me brand new. (p. 30)
  • MAE: I think it was the home, more than Mum, that made me stay… (p. 19)
  • CRESSY: That selfish woman. We’re strangers because of her… (p. 32)
  • MAE: (to Nona) I know you don’t want to because you want to avoid anything remotely resembling responsibility… (p. 53)

Students might record their responses/lines of dialogue in a chart like this one (PDF, 114KB). (Blank spaces are provided for students to locate and explain additional lines of dialogue.)

 

Synthesising task/activity

Graffiti response

Resources required: large sheets of butcher’s paper, black textas or permanent markers.

Arrange six different stations around the classroom by grouping desks together etc. Divide class into six groups and start one group at each station. Each station has a sheet of butcher’s paper headed with a question in response to the play (possible questions listed below, as a guide only). Depending on time allocation within the lesson, students should have at least ten minutes at each station. They should discuss each question and brainstorm some dot points in response to it. They may quote relevant lines from the play or refer to specific incidents, as necessary.

Groups rotate through each station so each sheet of paper has responses from each group. These can be displayed around the classroom to form the basis of discussion and argument.

Possible questions

  • What does each of the three women learn about themselves by the end of the play?
  • Why is it so important for Nona to scatter her mother’s ashes on the island?
  • Are there any hints leading up to the end of the play that Cressy is Nona’s mother?
  • What is symbolic about the house being burned down at the end?
  • Identify/explain an episode in the play which unites the women rather than divides them.
  • What do the three women learn about each other by the end of the play?

Suggested assessment focus: (ACELA1565)   (EN5-7D)